Production Management That Holds Up at Every Level.
Your show, your activation, your vision — executed with the same intention you put into creating it.
Building a live music event, corporate conference, or brand activation isn't just booking a venue, ticket sales, hiring an AV company, and trusting it comes together. It takes someone who can hold the creative and the operational at the same time — who understands the brief as deeply as they understand the stage, and who knows how to build the systems that keep everything from falling apart when it matters most.
With 20+ years as a working musician and a decade deep in live event productions across Nashville and the USA, I bring incredibly valuable perspective and experience to the table. I've sat at the mixing board, stood on the stage, run graphics machines, directed video, called the show — and I have learned exactly what each side needs from the other.
I work with artists, managers, promoters, and event planners who are ready to stop guessing and start building something that actually holds up.
What Makes My Approach Different?
A Production System, Not Just a Day-Of Presence: Most people think of a production manager as someone who shows up and coordinates. I come in at the beginning — with a system. Before show day, you'll have a complete production architecture: a locked schedule, briefed contractors, risk-mapped contingencies, and a budget that accounts for what you actually spent. That's the CPH way.
A Musician Who Runs the Room: I'm not a logistics person who learned about music — I'm a musician who learned to run event productions, and that order matters. I understand the artist's perspective, the energy of the room, and the moments that cannot be compromised. That means I protect them while managing everything else.
Contractor-Ready and Network-Deep: Live events are built on trust — between you and your PM, and between your PM and every vendor and contractor on the call sheet. After almost 10 years building relationships in live event production in Nashville and beyond both as an audio/video technician and PM, I bring a wealth of trusted relationships and the credibility to hold them accountable. You don't have to build that from scratch.
Presence Before Action: Every project begins with intention — understanding your human experience goal, reading the brief carefully, asking the difficult questions, and maintaining the communications that circumvent any major surprises on show day.
By the time we get to load-in, we've already solved all of the major problems many teams encounter in real time.
What You Get When You Work With Me:
A Complete Production Architecture: Schedule, contractor coordination, budget tracking, and risk management — built before we ever get to load-in.
A Single Source of Truth: Every contractor, every supplier, every client communication flows through one person — me. No confusion, no crossed wires, no version-control issues on the run of show.
Show-Day Command: I'm on site, at the command point, with eyes on every moving piece. You focus on your vision. I'll make sure the production delivers it.
Honest Communication, Always: If something's off track, you'll know immediately — not when it's too late to fix it. That's the standard, not the exception.
And What It All Adds Up To… An Event That Just Works.
Let's Build Something Well That Just Works.
Every production is different — the scale, the team, the timeline, the vision. That's why I don't do one-size-fits-all. Every engagement starts with a conversation about what you're building and what it actually needs.
If you're ready to stop hoping your show comes together -
and start knowing it will — let's talk.
Book a Call Today and let's map out what your production needs, from the ground up.